Suspense Is The Key Alfred Hitchcock made Frederick Knott’s stage play Dial M For Murder immortal by directing a film based on it (in 1954). Vijay Kenkre has directed a Marathi stage version called A Perfect Murder…
Category:
Review
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The Evil Within: April Satya Koushik has written and directed two plays based on mythology before – Chakravyuh and Draupadi—and his strength is clearly in his writing. Raavan Ki Ramayan is written in verse, in the kind…
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Cause And Impact: All four plays watched at the Prithvi Theatre Festival this year had one significant element in common, they were all about social issues that are affecting the…
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A Friend Indeed: One of the most moving moments in the stage production Mahabharat: The Epic Tale, has Duryodhan, reviled as a villain in the epic, taking up for Karan,…
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Kolkata Chronicle: Delhi-based theatre producer, director and writer, Atul Satya Koushik has been bringing his productions to Mumbai regularly. His plays, belonging to diverse genres from mythologicals to comedies and…
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Deadly Funny: In India, funeral rituals are solemn affairs, and anyone who dares laugh would probably be socially boycotted. In the UK, of course nothing is sacred as far as…
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Dead Man Laughing: The Gujarati production Aane Bhi Do Yaaro is the funniest play seen in recent times, and that’s saying a lot because there are so many comedies produced in…
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Wicked Women: In common usage, the word chudail describes an aggressive or quarrelsome woman—could be said to be the Indian equivalent of bitch. But the origins of the chudail (often…
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Bridezilla Strikes: There can be no wedding in our country, without high stress and drama, some of which playwright-director Veena Bakshi has captured with humour in Ank’s production of Hamari Neeta Ki Shaadi.…
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The Girl Who Came To Dinner: No matter how liberal a family may be, when the possibility of a son or daughter choosing a partner from outside the community comes…