For The Love Of Music: As Bandish 20-20,000Hz returns in online format, revisiting a review of the Aadyam-backed production when it first opened in 2017. After Afsaane: Bai Se Bioscope Tak,…
Category:
Review
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Deadly Daughter: The right cast sometimes lifts a production several notches; when performers like Vandana Gupte and Pratiksha Lonkar are on stage, they add spark to the most mundane…
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The Sisterhood Way: The completion of 300 shows of Sangeet Devbabhali is a good time to revisit a review written in 2018. A man ignores his wife and home because…
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Three To Tango: The plays Abhishek Pattnaik writes have unusual ideas, but he is an excellent actor too. His performance as a middle-aged Oriya professor in Two Adorable Losers was brilliant,…
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Suspense Is The Key Alfred Hitchcock made Frederick Knott’s stage play Dial M For Murder immortal by directing a film based on it (in 1954). Vijay Kenkre has directed a Marathi stage version called A Perfect Murder…
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The Evil Within: April Satya Koushik has written and directed two plays based on mythology before – Chakravyuh and Draupadi—and his strength is clearly in his writing. Raavan Ki Ramayan is written in verse, in the kind…
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Cause And Impact: All four plays watched at the Prithvi Theatre Festival this year had one significant element in common, they were all about social issues that are affecting the…
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A Friend Indeed: One of the most moving moments in the stage production Mahabharat: The Epic Tale, has Duryodhan, reviled as a villain in the epic, taking up for Karan,…
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Kolkata Chronicle: Delhi-based theatre producer, director and writer, Atul Satya Koushik has been bringing his productions to Mumbai regularly. His plays, belonging to diverse genres from mythologicals to comedies and…
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Deadly Funny: In India, funeral rituals are solemn affairs, and anyone who dares laugh would probably be socially boycotted. In the UK, of course nothing is sacred as far as…