Save The Book: Many must have had to look up the meaning of Aaeen—the sound of the word has a certain romance to it, which Samvidhan does not, neither does Constitution, both of…
Category:
Review
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Rewind, Remind: It has been almost a quarter of a century since Stephen Belber’s Tape first opened in 1999, and in the intervening years, the #MeToo movement brought to the…
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Matters of Faith: Miracle On Matunga Street, directed by KK Raina, is Ila Arun’s second adaptation of a Tom Dudzick play after Namaste (based on Greetings). Both bring up in…
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Walking Tall: When we talk of gender issues, it is invariably about the suffering of underprivileged women, as if to say educated, rich women with supportive families are spared any…
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Spiritual Quest: Some of Makrand Deshpande’s earlier plays were inspired by mythology and presented his own twist to well-known stories. In his more recent work—RAM, KRISHNA and the latest BUDDHA–…
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Soul Saga: The life of Sufi poet Amir Khusrau lends itself beautifully to a musical dastaangoi performance, especially if writers-directors and lead actors Ajitesh Gupta and Mohit Agarwal are also excellent singers.…
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For The Love Of Music: As Bandish 20-20,000Hz returns in online format, revisiting a review of the Aadyam-backed production when it first opened in 2017. After Afsaane: Bai Se Bioscope Tak,…
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Deadly Daughter: The right cast sometimes lifts a production several notches; when performers like Vandana Gupte and Pratiksha Lonkar are on stage, they add spark to the most mundane…
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The Sisterhood Way: The completion of 300 shows of Sangeet Devbabhali is a good time to revisit a review written in 2018. A man ignores his wife and home because…
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Three To Tango: The plays Abhishek Pattnaik writes have unusual ideas, but he is an excellent actor too. His performance as a middle-aged Oriya professor in Two Adorable Losers was brilliant,…